Sunday, November 13, 2011

post 10

     In my blogs over the course of these nine weeks, I have proposed a lot of questions. Questions about art and society, and even life in general. I would like to continue with proposing more questions while also sharing a viewpoint. 
     This all began as I was pondering the subject of "high" art again. I was thinking about paper dolls and how they are considered feminist art. Even the inspiring artist, who I wrote on a while ago, Cindy Sherman, made a line of work of paper doll making. I know that a lot of contemporary artists in the 1970's were into exploring this form of art making. But then I was thinking about how something that a girl plays with as a child (a commercial craft) can then later be used to make art (a high skill). 
     I have interacted with paper dolls myself. I had many paper dolls books that allowed me to color and or draw and design the cloths to dress my paper figure in. Barbie and Disney Princesses were among my favorites. Recently, I find myself very interested in the concept of a paper doll. This also ties in with my blog about women's roles. 
     Girls see many different "roles" as they watch their parents/guardians, teachers, and other adults. But they also see their peers. How their peers act, behave/misbehave, and where they fit in with these peers. Girls begin making associations that go with these "roles'' through the toys they play with. The outfits they choose to outwardly adorn their doll(s) are a way for them to further understand how there are different "looks." In a way, the doll(s) is a way for the little girl to be a caricature of each of these "roles." She learns which ones are desirable, attractive, tempting, needed, laughed at, weak, etc. Even paper dolls illustrate the same ideas. 
     There is also a hierarchy of dolls. A hierarchy that resembles a person's social status. 

Rag dolls: lower social status, humble, worn out
Old "vintage" dolls: odd, weird, creepy
Baby dolls: domestic, homely, motherly
Cabbage Patch Dolls: also homely, and motherly, cutesy
Barbie Doll: pretty, socially integrated, successful, plastic
Polly Pocket:  petite, cute, innocent
Bratz Dolls: live up to their name, diva, social celebrity

All of these are miniature microcosms of real life social circles. There is one "popular" girl and many other "friends." In movie terms, there is one main character or lead role and several supporting roles.  
     What is interesting to me is that these roles that little girls are observing have a long history of being made by a man. For centuries, men have been telling women who they are and who they should be. Even an industry that is supposed to be 'for' women is "targeting" women. Fashion, presumed by many to be a "girly" thing is filled with men who are telling women how to dress and how to look! 
    Girls become invested in this pretty image of life of which we hope to become a part of. But somewhere along the way, there has been a boy who has ripped or beaten up her pretty doll. The boy called it stupid.  This is exactly what happens as a woman. A woman dresses for the "role(s)" she wants to play, but is not taken seriously for whatever reason and is beaten down and made to feel stupid by a man. 


     

 

 
 


 

Sunday, November 6, 2011

art art art

     This week for our photo class went to the High Museum of Art in Atlanta. The new exhibit Picasso to Warhol 14 Modern Masters is now open. I have actually seen Warhol in a few exhibits now, and actually enjoy his work. However, it made me think back to how he actually made art using modern commercial practices and assembly lines, etc. in order to defy the "high art" status expected of making "art" work. For his time, this was absurd, but people loved it and bought into it, yet now he is hanging up in a museum. A museum is where I would expect to view "high" art. At what point in time did his work gain that promotion from commercial art to fine art? Warhol is even best known as a painter. But he made prints. Granted there are other works of his that include paintings, and many drawings, but he is most widely known and remembered for 'paint'.

     This brings me back to my previous blog about how we define certain strains of art. Not only confined to the typically known sections of art media, painting, drawing, sculpture, photography, printmaking, etc. but also design fields.  Do interior design and fashion design compare each other and argue whether one is "higher" than the other? Will we ever see fashion design in an "art museum"?

     I turned to Webster for some help defining these wonderful vocabulary words:
"fine art" :   
1. a : art (as painting, sculpture, or music) concerned primarily with the creation of beautiful objects —usually used in plural
b : objects of fine art
2
: an activity requiring a fine skill

These definitions seem very easy to understand, but they also exclude many different processes. I think this is where the Contemporary art movement mixed things up. I am not saying that is a bad thing. But it brought about use of and focus on concept.

"conceptual art"
: an art form in which the artist's intent is to convey a concept rather than to create an art object


So in this day in time, one must have an intent and idea, and the two must marry in order to produce "art" that is "successful". This still gets tricky for me because there seems to be so much room for subjectivity. 


"pop art"
: art in which commonplace objects (as road signs, hamburgers, comic strips, or soup cans) are used as subject matter and are often physically incorporated in the work


Now I would like to go back and ask my question of the design fields. Is design and art? Can design ever reside in a fine art museum? What are the distinguishing factors?


"commercial art"
:art applied to commercial purposes
dictionaryreferene.com reiterated
graphic art created specifically for commercial uses, especiallyfor advertising, illustrations in magazines or books, or the like.
Wikipedia says:

Commercial art is historically a subsector of creative services, referring to art created for commercial purposes, primarily advertising. The term has become increasingly anachronistic in favor of more contemporary terms such as graphic design and advertising art.
Commercial art traditionally includes designing books, advertisements, signs, posters, and other displays to promote sale or acceptance of products, services, or ideas.

Skills of commercial art

Most commercial artists have the ability to organize information, and a knowledge of fine arts, visualization and media. Communication is often vital in this field. Usually, the art department is relatively small, consisting of art directors, perhaps an assistant director, and a small staff of design and product workers. Commercial artists work a variety of situations doing many things in the artistic world such as advertisement, illustration and animation.

Genres

Commercial art can include many genres of art and categories of art technique, including:


Read more: http://www.answers.com/topic/commercial-art-2#ixzz1cy9jxhbo



So in the end of all the graduate thinking and questioning, does fine art serve merely for aesthetic purposes? 
Can commercial art in fact be fine art? 


I am going to continue to look into these myself, but I thought I would ask others to weigh in on these questions. 











    

On Painting: On Painting and Photography

On Painting: On Painting and Photography